
欧洲的某个地方 HD中字(大结局)
1948 / 其它 / 电影
状态:已完结
扫一扫 手机在线观看更方便
《欧洲的某个地方》 HD中字
点击量 | 日:1 | 周:1 | 月:1 | 总:778
年份:1948地区:其它类型:剧情
导演:Radványi,Géza
主演:Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
版本:1080P高清未删减完整版
更新时间:2024-01-08
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
提示:[DVD:标准清晰版] [BD:高清无水印完整版] [HD:高清未删减版],BD和HD版本不太适合网速过慢的手机在线观看。
上海的退休工程师老汪与儿子有一个约定,每周六小汪会回父母家一次,顺便吃碗老汪拿手的菜肉馄饨。为了让儿子早点结婚生子,老汪在爱人素娟的启
上海的退休工程师老汪与儿子有一个约定,每周六小汪会回父母家一次,顺便吃碗老汪拿手的菜肉馄饨。为了让儿子早点结婚生子,老汪在爱人素娟的启
一位日本女大学生回忆起与变态男子相遇时的兴奋之情,并渴望重温那一刻……一位沉迷于变态性爱的年轻性欲狂的颓废性爱体验
离异的继母独自抚养继子达也长大。如今达也已成年,找到了一份工作。继母百感交集,或许是察觉到了她的心情,达也提议去泡温泉
百无聊赖的大辅,与女友的性生活总是不和谐。继母不忍心看他受苦,主动提出帮忙。他从继母那里学会了如何取悦女性。在继母充满诱惑和刺激的指导
Story about a woman from the International Special Forces Unit, who
2026 / 南非 / Katlego,Lebogang,Siya,Sepotokele,Raymond
该片讲的是那些在大城市里奋斗,却总在心里挂念着家乡的小伙伴们的故事。他们经历了从想逃离家乡,到重新认识家乡、拥抱家乡的心路历程。
2017 / 韩国 / 이인준,이수진
位于北冰洋沿岸的哈默菲斯特是挪威最北的城市,这座小城每年都会经历极夜,太阳永远地藏在地平线以下不会升起,城市在漫长的黑夜与永恒的黎明之
暴雨将至,轰隆隆的声音夹杂着人群的呼喊声砸向操场,正在参加小学田径比赛的唐平安重重的摔倒在地面,当母亲李枚赶到医院时,医生却给了再生一
大学生敦目睹继母自慰,他与父亲的关系早已疏远。继母心生不满,便引诱敦,而敦也屈服于她的诱惑。最终,继母甚至穿上暴露的内衣来勾引敦。担心
我好久没见到女朋友了。不过她已经结婚了。我以前总是下班后和她一起吃晚饭。今天,我要带她回家,打算一进门就让她满意
一位身穿透视装的女子光顾便利店。便利店店员的目光无法从她丰满的身材上移开。在寻找商品的过程中,女子突然搂住店员,并与其进行露骨的肢体接
本片改编自同名小说。樱井萌(当真亚美 饰)从小体弱多病,无法上学,也没有朋友,每天独自度过时光。她一直有一个小小的梦想——在自己生日那
Three siblings craft a knight-like figure, only to unleash a barrag
在新疆无垠的静谧雪原上,一个逃离都市的年轻女孩,与一个将回忆锁进信笺的孤独老人,意外成为彼此的“临时家人”。他们一个学着与过去和解,一
耶~~复制成功